The sinner’s prayer is as old as Christianity itself. It can be as simple as the lines in the parable told by Jesus in the 18th chapter of Luke, where He commended a despised tax collector for uttering the simple words: “God, have mercy on me, a sinner.” A variation of the prayer has been repeated since the dawn of the Church every Sunday in liturgical masses, be they in Latin or in the vernacular:
If spoken in sincerity from the heart, such a prayer is indeed salvific. Of course, the danger of its repetition Sunday after Sunday is that it easily becomes formulaic and loses its meaning, even though the “Miserere”, as this portion of the liturgy has come to be known, is unsurpassed in its simplicity, beauty and truth.
And yet the prayer has a way of taking on a life of its own, even breaking forth into contemporary pop culture and music, which otherwise seldom makes room for the sacred. An example is the song Miserere, composed by Italian artist Zucchero Fornaciari (known simply as “Zucchero”), with alternate English lyrics written by U2’s Bono.
If spoken in sincerity from the heart, such a prayer is indeed salvific. Of course, the danger of its repetition Sunday after Sunday is that it easily becomes formulaic and loses its meaning, even though the “Miserere”, as this portion of the liturgy has come to be known, is unsurpassed in its simplicity, beauty and truth.
Agnus Dei, qui tollis peccata mundi, miserere nobis.
Lamb of God, you take away the sin of the world, have mercy on us.
And yet the prayer has a way of taking on a life of its own, even breaking forth into contemporary pop culture and music, which otherwise seldom makes room for the sacred. An example is the song Miserere, composed by Italian artist Zucchero Fornaciari (known simply as “Zucchero”), with alternate English lyrics written by U2’s Bono.